Rabu, 07 September 2011

Happy Blogiversary To Me

Today marks Tattoosday's fourth anniversary, when we first started off here on BillyBlog as a once a week feature, before spinning off into a stand-alone site little over a month later.

To celebrate, I'll be sharing favorite posts from the past four years throughout the day. Just a little celebratory break before we resume our normally-scheduled programming.

I also encourage readers to comment below or email me (tattoosday@gmail.com) and I will attempt to re-post reader favorites throughout the day.

Thanks to all of my readers for supporting me throughout the years! Here's to at least four more years!


This entry is ©2011 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

, Courtesy of Alex

I met Alex a few weeks back in Penn Station. I spotted this familiar face on his right calf:

I say a familiar face, because it is clearly the profile of the Statue of Liberty, but something looks slightly different. Alex explained why:
"It's the right side of the face, [which] is really hard to find because the arm for the torch is in the way ... I had to research forever and then I found two photos which I matched up ... one was when it was under construction, someone got the right side ... the crown part we had to reverse and put onto the picture ... I'm pretty particular - it actually  took two weeks to come up with a good design..."
Alex says he got this tattoo a few years back "to commemorate President Bush leaving office." He was living in Portland, Oregon, at the time and is originally from Albany, New York. The collaboration on the tattoo was with an artist named Ron at a shop whose name he doesn't recall.

As happy as I was to take this photo, Alex was more keen on showing off a newer piece, done by Chris Reynolds at Albany Modern Body Art. He raised his shirt up to show me this tattoo on his right side:


Alex explained that his ink had a very Northeastern slant to it. This tattoo fits in with the general feel of that theme.

He wanted to be sure to praise the guys at Modern Body Art and was really very proud of this work.


Thanks to Alex for sharing his tattoos with us here on Tattoosday!


This entry is ©2011 Tattoosday.



If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Elements of an Amazing Sleeve

I'm not sure why it has taken so long to post Alex's tattoos - when I met him at the end of May in K-Mart @ Penn Station, I was totally stoked by his ink. Perhaps I was just letting the photos simmer as I waited for the right time to share them. Nevertheless, here they are, finally.

What we're seeing are three portions of Alex's left arm sleeve, beginning with this segment which is the most impressive part of the work:


As Alex explains, this tattoo is
"inspired by the carvings in Cambodia in Siem Reap ... it's one of the temples of Indra, Indian god of thunder ... he's also the god of change and progress ... 

 ... He's very human-like because he messes up a lot ... he's somewhat of a womanized, so it makes him very original from the rest of the Indian gods..."
At the top of Alex's arm is this symbol:


He told me that this is the logo of a hard rock group from Brooklyn called Life of Agony.


You can check out their website here or peruse their Amazon catalog here.

In the photo above, you get a glimpse of the third and final segment of Alex's sleeve which we're seeing today, which features this familiar face:


That's the symbolic face of  Steeplechase Park on Coney Island.


Compare to this tattoo, which appeared here last year.

Alex explained about his connection to Coney Island:
"...Basically, I grew up there ... I grew up in Bensonhurst, but [Coney Island] is kind of where I became myself, adolescence and all that stuff - that's the old Coney Island..."
Alex credited all of his work to a tattoo artist named Seth Wood who is currently working out of Saved Tattoo in Brooklyn.

Thanks to Alex for sharing this amazing work with us here on Tattoosday!


This entry is ©2011 Tattoosday.



If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Michael

I met Michael in Bay Ridge, at 92nd and 3rd Avenue, and he offered up these two tattoos on his forearm:


I recognized the top piece as a Misfits tattoo and asked why he chose it.

He responded:

"They are my favorite band of all time and when I say the Misfits, I mean the 1977-1983 Misfits. That to me is one of the greatest bands of all time and Glenn Danzig is my favorite singer of all time."

He credited Mark Harada, currently at East Side Ink, with tattooing this back in 2002.

The Danzig skull below the Misfits piece was done, he told me, by Chris Torres at Inborn Tattoo NYC in 2010.

Here's a little classic Misfits to get you going today:



Thanks to Michael for sharing his tattoos with us here on Tattoosday!


This entry is ©2011 Tattoosday.



If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Marisa Shares Some Vonnegut

I love a good literary tattoo, especially when I recognize the text and the author.

I met Marisa after I spotted these six familiar words below her neck:


 The quote "Everything was beautiful, and nothing hurt" refers to an epitaph inscribed on a tombstone in Vonnegut's classic novel, Slaughterhouse-Five.

This is Marisa's one and only tattoo and she explained why she chose this particular quote:
"I was going through a hard time and it helped me out a lot - it's just one of those quotes, so meaningful ... that I just needed to have it on me."
Marisa and I share a mutual appreciation of Vonnegut's work and, despite the greatness of Slaughterhouse-Five, we both liked Cat's Cradle better.

The word were inked at High Roller Tattoo in Hicksville, New York.

Thanks to Marisa for sharing this classic literary tattoo with us here on Tattoosday!

And remember, you can see more literary tattoos at Contrariwise and The Word Made Flesh.




This entry is ©2011 Tattoosday.



If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.